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| I Love You | ![]() Adapted from Frank Miller's graphic novels, SIN CITY is Robert Rodriguez's striking film noir infused with fantasy, taking place in a world where it is eternally nighttime and everything is drenched in rain and violence. Using a unique combination of silvery black and white digital photography with occasional flashes of bright color for dazzling punctuation, Rodriguez employs green screen techniques and paints a backdrop around each scene, using Miller's co-direction as his cue to match the original setting as closely as possible. Three stories weave together, occasionally overlapping. With lines delivered flatly in the hard-boiled style of Raymond Chandler, these tales are about crime, love, loss, and being preternaturally tough. In the most caustically dramatic segment, Mickey Rourke plays the fearlessly lovestruck Marv, a trenchcoat-clad beast who falls in love with prostitute Goldie (Jaime King) only to find her murdered by a demonic cannibal (Elijah Wood). In another segment, Bruce Willis plays Hartigan, a rogue cop with a "bum ticker" whose goal in life is to save Nancy (Jessica Alba), an innocent stripper, from a murderous rapist (Nick Stahl). The third segment stars Clive Owen as a detective caught between murdered cop Jackie Boy (Benicio Del Toro) and a slew of lethally dangerous vixens lead by Gail (Rosario Dawson). With blood spurting white, yellow, and yes even red; a roster of hot actors that goes on and on; and sound editing that makes you feel like you're the one being punched in the face, SIN CITY is a gift for fans of Miller's art, loaded with style and grit. Code: ![]() ![]() ![]() ![]() ![]() Code:
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| | #23 (permalink) |
| I Love You | ![]() The story of monsters who require power by means of scaring people through portable doorways into they're world. John P. Sullivan or "Sully"(John Goodman) discovers a little girl that has escaped a door while trying to avoid Randall(Steve Buscemi). At first petrified of her they find themselves falling head over heels for the little sweetheart and protecting her from everyone. With the help of his team mate and friend Mike Wazowski(Billy Crystal), they must keep the girl a secret and try get her home before something happens to her. Code: http://www.imdb.com/title/tt0198781/ ![]() ![]() ![]() Code:
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| | #24 (permalink) |
| I Love You | ![]() On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. Code:http://www.imdb.com/title/tt0783233/ ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Code:
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| | #25 (permalink) |
| I Love You | ![]() On the fifteenth of May, in the jungle of Nool, in the heat of the day, in the cool of the pool. He was splashing...enjoying the jungle's great joys...When Horton the elephant heard a small noise. With his signature evocative and rhyming text, writer and cartoonist Dr. Seuss, an American treasure whose books have delighted generations of young people, opens one of his most beloved tales, Horton Hears a Who! Now, over fifty years since Seuss, whose real name was Theodor Seuss Geisel, published this perennial favorite, the makers of ICE AGE and comedy giants Jim Carrey and Steve Carell, bring it to life in a way never before experienced. For the first time, a motion picture transports audiences into Dr. Seuss' incredible imagination, through state-of-the-art CG animation. DR. SEUSS' HORTON HEARS A WHO! (TM) is Seuss as you want to experience his work at the movies - and as it was meant to be seen. The film, like Seuss' book, presents an imaginative elephant named Horton (Carrey) who hears a faint cry for help coming from a tiny speck of dust floating through the air. Although Horton doesn't know it yet, that speck houses an entire city named Who-ville, inhabited by the microscopic Whos, led by the Mayor (Carell). Despite being ridiculed and threatened by his neighbors, who think he has lost his mind, Horton is determined to save the particle...because "a person's a person, no matter how small." Horton's eight-word explanation for his actions embodies an idea both simple and profound, and which means so much, to so many. The film provides more food for thought, having Horton explains to his skeptical friends: "If you were way out in space, and you looked down at where we live, we would look like a speck." Then there's Horton's code...his motto... that, "an elephant's faithful 100 percent" - pointing to his honesty and determination to never abandon his mission to find a new home for the speck that houses the incredible world of Who-ville. These philosophical declarations point to Seuss' unique ability to take complex issues and boil them down into understandable thoughts that anybody, at any age, could understand. It all comes together through the vision of a master storyteller, the magic of computer animation, and the special alchemy of three generations of comedy stars - Carrey and Carell are joined by the legendary Carol Burnett, as well as cutting-edge talents Will Arnett, Isla Fisher, Amy Poehler , Seth Rogen and Jonah Hill - to create an all-audience comedy event. --© Fox Code:http://www.imdb.com/title/tt0451079/ ![]() ![]() ![]() ![]() Code:
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| | #26 (permalink) |
| I Love You | ![]() What if you always had someone around to look out for you? To defend you when challenged by a bully, threatened by an enraged driver, assaulted by a knifewielding mugger? That at those moments of stress and escalating violence, someone... What if you always had someone around to look out for you? To defend you when challenged by a bully, threatened by an enraged driver, assaulted by a knifewielding mugger? That at those moments of stress and escalating violence, someone appears— an ever-present avenger, fueled by righteous anger and possessing unequalled strength—and vanquishes the antagonist, rights the wrong, settles the score. Without remorse. Without consequence. Without memory. And what if that someone…was you? After more than four decades of continuing popularity, one of Marvel Comics’ most enduring and compelling comic book creations comes to the big screen, continuing Marvel’s superlative track record of bringing its classic characters to motion picture life: Blade, X-Men, Spider-Man, Daredevil. And now, this summer, The Hulk arrives. Scientist Bruce Banner (ERIC BANA) has, to put it mildly, anger management issues. His quiet life as a brilliant researcher working with cutting edge genetic technology conceals a nearly forgotten and painful past. His ex-girlfriend and equally brilliant fellow researcher, Betty Ross The Hulk – Production Information (Academy Award. winner JENNIFER CONNELLY), has tired of Bruce’s cordoned off emotional terrain and resigns herself to remaining an interested onlooker to his quiet life. Which is exactly where Betty finds herself during one of the early trials in Banner’s groundbreaking research. A simple oversight leads to an explosive situation and Bruce makes a split-second decision; his heroic impulse saves a life and leaves him apparently unscathed—his body absorbing a normally deadly dose of gamma radiation. …And yet, something is happening. Vague morning-after effects. Blackouts. Unexpected fallout from the experiment gone awry. Banner begins to feel some kind of a presence within, a stranger who feels familiar, slightly dangerous and yet darkly attractive. All the while, a massive creature—a rampaging, impossibly strong being who comes to be known as the Hulk—continues its sporadic appearances, cutting a swath of destruction, leaving Banner’s lab in shambles and his house with blown out walls. The military is engaged, led by Betty’s father, General “Thunderbolt” Ross (SAM ELLIOTT), along with rival researcher Glenn Talbot (JOSH LUCAS), and both personal vendettas and familial ties come into play, heightening the danger and raising the stakes in the escalating emergency. Betty Ross has her theories, and she knows the shadowy figure lurking in the background, Bruce’s father, David (NICK NOLTE), is somehow connected. She may be the only one who understands the link between scientist and the Hulk, but her efforts to stop the military threat, deploying every weapon in its attempt to capture the monster, may be too late to save both man and creature. Acclaimed Oscar.-winning filmmaker ANG LEE (Crouching Tiger, Hidden Dragon) turns his masterful eye to adapting the classic Marvel Comics character for the big screen. Setting out to faithfully transfer the Hulk comic book character from four-color paneled page to motion picture screen, Lee combines all the elements of a blockbuster visual effects-intensive Super Hero. movie with the brooding romance and tragedy of Universal’s classic horror films. Staying true to the early subversive spirit of the Hulk as envisioned by its creators (Stan Lee and Jack Kirby) while also tuning the tale to current dangerous times, Lee presents a portrait of a man at war with himself and the world, both a Super Hero and a monster, a means of wish fulfillment and a nightmare. Committed to bringing the Hulk to authentic life, director Lee and his effects teams logged countless hours to assure a creature true to the essence of Kirby’s powerful seminal artwork and Lee’s mythic stories. Designers and artists returned to the original Hulk character conceptions to honor the Marvel traditions and place the creature in a motion picture world—grounded in reality, dictated by time-honored practice and colored by comic book convention. Universal Pictures Presents, In Association with Marvel Enterprises, A Valhalla Motion Pictures / Good Machine Production of An Ang Lee Film: The Hulk, starring Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas and Nick Nolte. Music is by Danny Elfman. The costume designer is Marit Allen. The editor is Tim Squyres, A.C.E. The production designer is Rick Heinrichs and the director of photography is Frederick Elmes, A.S.C. Executive producers are Stan Lee and Kevin Feige. The film is produced by Gale Anne Hurd, Avi Arad, James Schamus and Larry Franco. The story is by James Schamus, with screenplay by John Turman and Michael France and James Schamus. The Hulk is directed by Ang Lee. The film is distributed worldwide by Universal Pictures. ©2003 Universal Pictures. Code:![]() ![]() ![]() ![]() ![]() ![]() Code:
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| I Love You | ![]() Jon Krakauer's bestselling nonfiction book about the life of Chris McCandless is finally brought to the big screen in INTO THE WILD. Directed by Sean Penn, the film opens in 1992, when Chris (Emile Hirsh) is a promising college graduate. Shortly after graduation, Chris gives his life savings to charity, burns all of his identification, and begins hitchhiking across America, his ultimate goal being Alaska. Citing passages from his heroes, Thoreau and Jack London, he is determined to escape society and get back to nature. He blows from town to town like a tumbleweed, hopping trains, camping with aging hippies (Catherine Keener and Brian Dierker), working briefly with a farmer (Vince Vaughan), and befriending a widowed leather worker (Hal Holbrook). He revels in his newfound freedom, but meanwhile, his parents (Marcia Gay Harden and William Hurt) have no idea where he is, and are sick with worry. While their relationship with Chris was already troubled, they are nonetheless devastated by his disappearance. Chris's sister, Carine (Jane Malone), narrates much of the film, offering her reflections on the effect Chris's absence has on his family. Chris finally makes it to Alaska, where he hikes out to a remote campsite and discovers an abandoned bus. He manages to survive there for a few months living off the land, but he eventually runs out of supplies and becomes trapped, leading to his tragic end. INTO THE WILD bounces around chronologically, jumping back and forth from the start of Chris's journey to his final few weeks living aboard the bus. This works to great effect as the storylines begin to merge and the tension and dread mount, and we see the fate that will eventually befall Chris. Penn obviously had great admiration for his subject, and while the film appears to differ from the book in places, it nevertheless paints a heartbreaking portrait of this young man's short but fascinating life. Code:http://www.imdb.com/title/tt0758758/ ![]() ![]() ![]() ![]() ![]() ![]() ![]() Code: http://www.adrive.com/public/a122df9533956a576f9885398313efda7308c7dbf66d7e5540a835ce34906150.html http://www.adrive.com/public/d9793c8d38f93ad2f2df5c0825e56f03d9b80ad9c8ede73a9bbfa1db1e1c0fd9.html http://www.adrive.com/public/a7c98be084274a159e4b23fdbcd321df014e98af805fb3b2b73e290131e4b63f.html http://www.adrive.com/public/a8075fcf0ac2e6e9f08d99530665e407c1151646e6294a362f14922022e77cee.html http://www.adrive.com/public/f44d5b7a807506ccff841ad4e6c000e0dc81b67a5f8774c0fb0486ecd094b352.html |
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| | #28 (permalink) |
| I Love You | ![]() In John Badham's NICK OF TIME, Johnny Depp stars as Gene Watson, a mild-mannered, widowed accountant, and the father of six-year-old Lynn (Courtney Chase). While in Los Angeles's Union train station, they are abducted by a mysterious... In John Badham's NICK OF TIME, Johnny Depp stars as Gene Watson, a mild-mannered, widowed accountant, and the father of six-year-old Lynn (Courtney Chase). While in Los Angeles's Union train station, they are abducted by a mysterious couple posing as police officers, Mr. Smith (Christopher Walken) and Ms. Jones (Roma Maffia). They give Gene a loaded gun and these orders: assassinate the "flaming liberal" governor of California (Marsha Mason) within the next 90 minutes, or they will kill his beloved daughter. Gene reluctantly agrees, and he is taken to the Bonaventure Hotel where the governor is making an appearance. Tension mounts as the clock ticks and Gene must outwit his conniving kidnappers. Shot in real time, the action of the movie is documented in the actual 90 minute running time of the movie. As Gene faces his gruesome task, minutes slip away, creating a palpable tension and a breathtaking reminder of every agonizing second. Christopher Walken is at his devilish best, wickedly tormenting the innocent hero. Reminiscent of Hitchcockian dilemmas, Gene is an ordinary man trapped in an extraordinary situation, forced to act before it is too late. Code: http://www.imdb.com/title/tt0113972/ ![]() ![]() ![]() ![]() ![]() ![]() ![]() Code:
![]() ![]() British director Christopher Nolan's (BATMAN BEGINS) eclectic resume gains another interesting entry with THE PRESTIGE. The basic plot, which concerns the rivalry between two magicians in early 20th-century London, closely... British director Christopher Nolan's (BATMAN BEGINS) eclectic resume gains another interesting entry with THE PRESTIGE. The basic plot, which concerns the rivalry between two magicians in early 20th-century London, closely resembles a fellow 2006 movie--Edward Norton's THE ILLUSIONIST--and the two films are sure to be closely compared. In Nolan's film, Hugh Jackman and Christian Bale bring the characters of Robert Angier and Alfred Bordon to life. Robert and Alfred were young magician apprentices together, but became bitter rivals as their careers began to shape their adult lives and a terrible accident claimed the life of Robert's wife. In the subsequent years Robert has become wildly jealous of Alfred's superior talents, so in a last ditch attempt to steal some artistic ground he sends his assistant, Olivia (Scarlett Johansson), to infiltrate his rival's lair and steal the secret to a spectacular trick called "The Transported Man." Nolan's film twists and turns down a number of unexpected avenues as it flits back and forth between numerous time periods, creating a movie that needs to be watched as closely as the tricks his leading characters perform. Bale and Jackman perfectly execute their roles, winding up the tension to an unbearable degree as they willfully enter into some dangerously competitive patterns of behavior. Michael Caine makes his second appearance in a Nolan film, almost reprising his role of Alfred in BATMAN BEGINS by playing Cutter, Jackman's mentor; and Johansson pouts and flounces across the elaborate sets like a classic Hollywood screen siren. Stylistically, THE PRESTIGE is full of dark, gloomy colors and a palpable feeling of menace, which is an impeccable visual match for the viewer's growing unease as the protagonists push each other to increasingly ridiculous lengths. It's not an easy film to digest, but Nolan's movie offers intelligent and challenging fare that will likely reveal further cinematic magic on repeated viewings Code: ![]() ![]() ![]() ![]() ![]() Code:
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| | #29 (permalink) |
| I Love You | ![]() The glorious world of Jane Austen is at last brought back to the big screen in all its romance, wit, and emotional force in Pride & Prejudice. Faithful to the setting and period of the beloved novel and filmed entirely on location in the U.K, this is the first movie version of the story in 65 years. The classic tale of love and misunderstanding unfolds in class-conscious England near the close of the 18th century. The five Bennet sisters – Elizabeth, or Lizzie (Keira Knightley), Jane (Rosamund Pike), Lydia (Jena Malone), Mary (Talulah Riley), and Kitty (Carey Mulligan) – have been raised well aware of their mother’s (two-time Academy Award nominee Brenda Blethyn) fixation on finding them husbands and securing set futures. The spirited and intelligent Elizabeth, however, strives to live her life with a broader perspective, as encouraged by her doting father (two-time Golden Globe Award winner Donald Sutherland). When wealthy bachelor Mr. Bingley (Simon Woods) takes up residence in a nearby mansion, the Bennets are abuzz. Amongst the man’s sophisticated circle of London friends and the influx of young militia officers, surely there will be no shortage of suitors for the Bennet sisters. Eldest daughter Jane, serene and beautiful, seems poised to win Mr. Bingley’s heart. For her part, Lizzie meets with the handsome and – it would seem – snobbish Mr. Darcy (Matthew Macfadyen), and the battle of the sexes is joined. Their encounters are frequent and spirited yet far from encouraging. Lizzie finds herself even less inclined to accept a marriage proposal from a distant cousin, Mr. Collins (Tom Hollander), and – supported by her father – stuns her mother and Mr. Collins by declining. When the heretofore good-natured Mr. Bingley abruptly departs for London, devastating Jane, Lizzie holds Mr. Darcy culpable for contributing to the heartbreak. But a crisis involving youngest sister Lydia soon opens Lizzie’s eyes to the true nature of her relationship with Mr. Darcy. The ensuing rush of feelings leaves no one unchanged, and inspires the Bennets and everyone around them to reaffirm what is most important in life. Focus Features presents in association with StudioCanal a Working Title production. Pride & Prejudice. Keira Knightley, Matthew Macfadyen, Brenda Blethyn, Donald Sutherland, Tom Hollander, Rosamund Pike, Jena Malone, and Judi Dench. Casting by Jina Jay. Music Supervisor, Nick Angel. Music by Dario Marianelli. Hair and Make-Up Designer, Fae Hammond. Costume Designer, Jacqueline Durran. Editor, Paul Tothill. Production Designer, Sarah Greenwood. Director of Photography, Roman Osin. Co-Producer, Jane Frazer. Executive Producers, Debra Hayward, Liza Chasin. Based on the novel by Jane Austen. Screenplay by Deborah Moggach. Produced by Tim Bevan, Eric Fellner, Paul Webster. Directed by Joe Wright. A Focus Features Release. -- © Focus Features Code: http://www.imdb.com/title/tt0414387/ ![]() ![]() ![]() ![]() ![]() Code:
![]() ![]() After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear), who is emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she's been dumped. Jane's womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men's magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she'd strike among women with her theory, and the column's wild success makes Jane start to question her conclusions--and opens her eyes to what might be right in front of her. Adapted from the novel ANIMAL HUSBANDRY by Laura Zigman, SOMEONE LIKE YOU is a bittersweet, funny romantic comedy, and handsome, charming Hugh Jackman shines as Jane's serial-dating coworker. Code: ![]() ![]() ![]() ![]() Code:
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| | #30 (permalink) |
| I Love You | ![]() What if mankind had to leave Earth, and somebody forgot to turn the last robot off? Code:Academy Award®-winning writer-director Andrew Stanton (“Finding Nemo”) and the inventive storytellers and technical geniuses at Pixar Animation Studios (“The Incredibles,” “Cars,” “Ratatouille”) transport moviegoers to a galaxy not so very far away for a new computer-animated cosmic comedy about a determined robot named WALL•E. After hundreds of lonely years of doing what he was built for, WALL•E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL•E has inadvertently stumbled upon the key to the planet’s future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL•E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen. Joining WALL•E on his fantastic journey across a universe of never-before-imagined visions of the future, is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots. Filled with surprises, action, humor and heart, WALL•E was written and directed by Andrew Stanton, produced by Jim Morris, co-produced by Lindsey Collins and features original and innovative sound design by Academy Award®-winner Ben Burtt (“Star Wars,” “Indiana Jones,” “E.T. the Extra-Terrestrial”). The film is due for release on June 27, 2008. ![]() ![]() ![]() ![]() ![]() ![]() Code:
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